#Powerpuff girls character creator game serial#
#Powerpuff girls character creator game series#

Castlevania, Season FourДЇilm and television adaptations of video games are, as a rule, a risky enterprise, and one could have been forgiven for writing Castlevania off entirely as soon as it was announced. Still, the show is compelling because of its strangeness, not in spite of it, and the second seasonвЂ™s doubling down on both its murder mystery and soap-operatic elements is as satisfying as a big, red, juicy steak.

#Powerpuff girls character creator game series#

Is a series whose wolf protagonist pines over a white dwarf rabbit upperclasswoman while trying to unravel the mystery of who ate his friend as his schoolвЂ™s star acting student, a deer, drops out to lead a lion pride specializing in black-market meat sales going to be for everyone? Probably not. The world of this series is one in which carnivores have, by and large, given up eating meat to live alongside herbivores, but the urge to slake their thirst for blood is a hard one to overcome. This prep-school anime gone wild - its protagonists are anthropomorphic animals - is arguably one of the best to hit Netflix in the past couple of years (which is really saying something, considering the streaming serviceвЂ™s investments in the anime space) and inarguably one of its weirdest. so far, but has been picked up by GKIDS for a wider domestic release this winter. Belle has only hit the festival circuit in the U.S. Instead, Hosoda and Studio Chizu, with the help of Cartoon Saloon and Disney veterans Jin Kim and Michael Camacho, made a film more about one young girlвЂ™s journey back to life after enduring tragedy, rather than a fairy tale version of true love. Despite the homages to Beauty and the Beast (the camera movements in the dancing scene!), youвЂ™d be wrong to call it a remake. Heroine Suzu is a shy and deeply scarred young girl who finds fame and acceptance within U, until her path to stardom collides with the antisocial and (virtually) violent Beast, with whom she forges a strong bond. It manages this through both the artistry of its virtual world - known in the film as U, a shimmering, hyper-saturated, brand-sponsored infinite reality where identities are created, consumed, and closely guarded - and its characterization. вћЅ Already director Mamoru HosodaвЂ™s highest-grossing film, Belle is gorgeous to look at and packed with things to say about our increasingly digital lives and how we socialize within social media. That message has never felt clearer than in this season. Its central commentary is that generational trauma, political maneuvering, and the weaponizing of hate and bigotry leave reverberating, kaiju-size impacts on society. The series has never been subtle, and criticism of its use of fascist imagery and references to Nazi Germany remains important to serious discussions about its cultural value, but it feels important to state that Attack on Titan has no real winners.

#Powerpuff girls character creator game serial#

The result is exceptional, blockbuster serial storytelling from the animation studio MAPPA, which took over from Studio Wit. Alliances have radically shifted, and there are new characters who question the evolution of the heroes and villains weвЂ™ve followed since the showвЂ™s debut in 2013. Though itвЂ™s always been controversial for its violence and perceived ideological bent, Attack on Titan: The Final Season (which premiered in 2020 but aired most of its episodes so far in 2021) so far feels like an exciting and worthy conclusion to the series. There hasnвЂ™t been a more chaotic anime produced in recent memory than Attack on Titan, a show about the conflict between a race of people that can transform into humanoid behemoths capable of inflicting massive destruction - and gobbling up lots of victims while theyвЂ™re at it. Attack on Titan: The Final Season, Part One And while KunukвЂ™s tale shares A Country DoctorвЂ™s fascination with illness, death, and the afterlife, the filmвЂ™s mythological underpinnings eschew KafkaвЂ™s existential alienation in favor of something more spiritually profound, albeit equally perturbing. The visual details are extraordinary - the bright light of sun on snow, the dim glow of a low fire in an igloo, the cold sweat on a sick manвЂ™s face, so realistic you can almost smell it through the screen - and the sound design is almost claustrophobic. In its tone and subject matter, the short is reminiscent of Japanese animator Koji YamamuraвЂ™s adaptation of Franz KafkaвЂ™s A Country Doctor, but in lieu of YamamuraвЂ™s exaggerated squash-and-stretch figures, the stop-motion here is subtly cinematic. Photo: Kingulliit Productions and Taqqut ProductionsД¬anadian Inuit director Zacharias KunukвЂ™s Inuktitut-language film, rooted in Inuit folklore, is a magnificently eerie stop-motion short with a simple story: A shaman and her apprentice make a house call to a sick man, then visit the underworld to learn why he wonвЂ™t recover.